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- Phonograph record
- Vinyl is vintage and the future, as new generation warms to an old music form
- Phonograph record - Wikipedia
Their limited-edition version of the soundtrack is pioneering a never-before released method for vinyl records. Both LPs in the set are blindingly reflective metallized discs. Disc one is platinum and disc two is gold. These are the first-ever commercially available records made using these precious metals via this process.
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Not stopping there, the records come housed in an entirely unique laser-cut wooden LP jacket riveted to aluminum spines. All of these elements gold, platinum, aluminum, wood and brass showcase the Art Deco-meets-modern style, classic meets cutting edge, which is the essence of The Great Gatsby film and Third Man Records. The world's first 3 RPM record, given away for free at Third Man Records's Three Year Anniversary Party is a study in contradictions - it's cut at the slowest speed yet it plays faster than anything you've ever heard.
It's a compilation of 7 inch records but it's packaged like a 12 inch, containing every Blue Series single they've ever released. You can listen to the record here.
Ray Parker Jr. Watch a video of some glow in the dark vinyl records.
Normally, laser etching is only done on a non-playable side of a vinyl record. However, with some tweaking, laser etching can be done also on the groove side of the record without affecting the playing grooves. If hit by a light, the etching reflects in polychromatic colors. Watch a video of Split Enz's True Colours spinning on a turntable.
Vinyl is vintage and the future, as new generation warms to an old music form
Glassjaw's Coloring Book Random Color Combinations Vinyl has unique color combinations using yellow, orange, green, red, blue and white. The vinyl separates into a 7", 10" ring and 12" ring and came framed with a hand-numbered sticker on the back of the frame.
Head over to Instructables for a detailed description and videos by the laser-cut wood record creator, Amanda Ghassaei. Details from the label - "Well, here it is at long last! They said it couldn't be done! Hell, they said it shouldn't be done! The zine you can read between meals without filling yourself up. And how do I get hold of this unique piece of plastic which I very much doubt I can even play without breaking my turntable, I hear you ask?
There's only numbered so when they are gone they are gone I'm afraid. Please share with all and sundry; punkers, vinyl junkies, distros, or just eejits who are as daft as I am. Thank you!! Alan PeaBrain". The Jazz June's After The Earthquake had a first pressing of copies on clear vinyl with silver glitter.
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Dads' Pretty Good had a limited pressing of copies on clear vinyl with rainbow glitter. Worthless had his Greener Grass release on a limited edition 15 copies liquid filled record. The second run, had 50 limited liquid records, handmade by Curtis Godino. When the vinyl played, you could watch the blue water slosh around inside the record.
French DJ and producer Breakbot had a limited pressing of copies of his single By Your Side that was cast in edible chocolate and was intended to be played only once and then eaten. Gibonni had his album 20th Century Man pressed onto chocolate, with the following statement: "I read that chocolate contains a hormone of happiness and boosts your libido, so I thought it was a perfect combination for the rock based on music we loved in the s".
Also, watch this video of a guy making and listening to a chocolate record. This is more like an experiment, just like the laser-cut wooden records above, made by Amanda Ghassaei. Nagamatzu began in after messing around with old tape machines and drum boxes, making numerous contributions to international compilations and erratically releasing their own cassettes. Their name comes from a character in JG Ballard 's "Atrocity Exhibition" and their music reflects his influence and incorporates samples from the Challenger shuttle disaster, Gregorian chants and films including "Dawn of the Dead" and "The Omen.
Nagamatzu's instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, Cabaret Voltaire and early New Order or Cocteau Twins. Edition of The Geneva Connection. Detroit jazz-funk, hard-to-find -- an extremely rare album left by Detroit-based jazz keyboard player Johnny Griffith known for the album Together, Togetherness on RCA This first recording of the music was released on the Blue Note label in It features performances by Redd and Jackie McLean.
Jack Gelber originally planned for the play to feature improvised music performed by jazz musicians who would also play small roles in the production. Freddie Redd, however, persuaded Gelber to include his original score.
Redd re-recorded the score later in as Music From The Connection. In , the pianist Johnny Griffith, a member of the prestigious Motown rhythm section Funk Brothers at the time, covered the whole album, playing electric piano here, which really changes the vibe of the music -- and the players are supposedly a host of Motown studio musicians -- playing jazz here, but with a nice funky soul undercurrent.
Phonograph record - Wikipedia
Pianist Johnny Griffith can be heard on classic Motown sides, as well as on recordings from other Detroit-area labels. But rather than signing a work-for-hire contract with Motown like other musicians, Griffith remained a freelancer, doing other dates and sessions in New York and nearby Chicago. Mystic Beauty. Influences also range from the cerebral to the soulful, but it defies any one-dimensional tag like "spiritual jazz" or "soul-jazz" or "jazz-funk.
It's a beautiful session all around, really something special and profound. He is the founder of the jazz-fusion group Karma. Out Of The Blue. The incredible San Francisco area jazz funk spiritual band Imani's Out Of The Blue was originally privately pressed in an edition of copies.
This is a deluxe reissue of an "impossible to find" original. Privately pressed by Preston Phillipps and Pam Byrd , this record has been called the "ultimate private press vocal anthem" of bay area jazz.
The label head of Mad About Records on the reissue: "I was at a 'jazz bop' party in Brighton, the UK in the late s and Giles Peterson played an amazing track that I asked him about from across the booth. I could barely hear what he said -- all I caught was the word 'Imani'. Too much time had passed but finally, my own label, Mad About Records, is proud to present this ultimate jazz private press holy grail fully licensed.
Another Brazilian funk landmark made by two of the most exceptional instrumentalists of the soul funk scene of the '70s. The original press of this LP is one of the rarest in Brazilian music.